Lose the shirt off my back? Nah.
When life got dicey, I opened my closet doors, bypassed the blouses, and earned a (modest) payday by selling used hangers in 25-pack bundles.
More recently, I put my hustle into play at 500 Startups, the world’s most active venture capital fund and startup accelerator, where I led content, branding, marketing, operations, and corporate partnerships for business development and global programs.
Before transitioning into tech, I worked in higher education, teaching online research and media production classes across a variety of disciplines at the University of California, Berkeley. During that time, I also worked as the Director and Executive Producer of Digital Media Projects at the Blum Center for Developing Economies, where I co-founded and led The #GlobalPOV Project, a mixed-media approach to thinking about poverty, inequality, and undertaking poverty action.
In addition, I was the Director of Media at the Center for Middle Eastern Studies, where I had the opportunity to interview Bashar al-Assad in his presidential palace in Damascus, Syria, in late December of 2010. I asked Assad if he considered himself a dictator. He dodged the inquiry, but his actions in the immediate weeks, months, and years to follow answered the question . . . and then some. Sadly.
Before that, I was a practicing journalist and graduate fellow at the University of Southern California. During that time, I worked as a web reporter and photographer for KCET’s “SoCal Connected,” as an online editor for the London-based New Statesman magazine, and as the co-editor-in-chief of USC Annenberg’s award-winning digital news website. I got my start in journalism as a full-time associate editor (and employee #20!) at P✪PSUGAR, a Sequoia-backed content and commerce startup turned global media empire.
My freelance reporting has been featured in NBC, CBS, and ABC news broadcasts and in online publications, including The Huffington Post. I have also done manuscript editing for various authors with recognized commercial and university presses.
You can find me tap dancing in the dark corners of my imagination to a sold-out audience of — none. Like most everything else, it’s all for fun.
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